Showing posts with label Western Library. Show all posts
Showing posts with label Western Library. Show all posts

Sunday, 9 February 2020

Erotica: A Beginner's Guide

     Let me be clear, this post is for readers and lovers of books, not for you prurient practitioners of exotic sexual practices searching for additional advice. Nor is it another cheap trick to attract readers, which admittedly my first post about “Sex was. That didn’t work, but there is some consolation in knowing that I do not have to worry about inadvertently offending a member of some movement by broaching a subject such as this one.

I came to this subject honestly by stumbling upon a review of a new book, which is a supplement to a thick older one, about THE PRIVATE CASE. The contents of these books are about the contents contained in The Private Case, which actually consists of more than one case or cabinet. Located in the Reading Room of the British Museum Library, The Private Case held, what was believed to be, a huge collection of erotica and other books and pamphlets which needed to be locked and hidden behind cabinet doors. I wrote, ‘believed to be’, because such material also was not suitable to be listed in the Library’s General Catalogue. If you were a scholar researching a variety of touchy historical subjects, or simply someone who wanted to see some dirty pictures or books, you had to submit a written request. If the material was found, it had to be read under supervision at what was referred to as “the desk of shame” or “wanker’s desk.”

By the 1960s, hiding such a collection in the Library was rather ludicrous, given that one could read (or simply look at) all kinds of naughty material outside of it. There were demands made to make the collection more accessible and to catalogue it so researchers knew what the Library held. One of the people making such demands was Peter Fryer and his book is where you should start your search. The title and the table of contents are here:
Private Case-Public Scandal, Peter Fryer
“A Short History of the Private Case”
“Sexology, Dictionaries and Books about Books”
“Erotic Classics and Autobiographies”
“Hard Core Pornography”
“Homosexual and Sado-masochistic Literature”
“Secrets of the S.S." [These are books that have been suppressed for a variety of reasons: political, religious, obscenity, illegal, libellous, military secrets, blasphemous; here is one example: The Truth About the Civilisation in Congoland.]

     If you wish to graduate to a much higher level you can read this analysis of what was contained in the collection, which has been made more accessible and was catalogued:
The Private Case: An Annotated Bibliography of the Private Case Erotica Collection in the British (Museum) Library, compiled by Patrick J. Kearney. (1981). If you desire a handy list of salacious items that were suppressed in the past, consult this book (be warned, there are hundreds of entries in languages other than English.)  For most of you, reading the very interesting seventy page introduction by Gershon Legman will be enough.
    It is this book that has now been updated and about which I read a review. The book: The Private Case: A Supplement. Notes towards a Bibliography of the Books that used to be in the Private Case of the British (Museum) Library. Comp. by Patrick J. Kearney and Neil J. Crawford. Berkeley, CA:  Ian Jackson.  2016.  The review concludes: “Kearney’s bibliography provides an invaluable opportunity to consider the ways in which that boundary [ for obscenity] has been constructed, reinforced and undermined in British culture. Both as an aid to literary critics and historiographers and as a bibliographic curio in its own right, it is strongly recommended.” (Lloyd Houston, TLS, Sept. 15, 2017, p.30.)

I am pleased to report that the library in which I used to work (and roam) has a copy of the Fryer book and the first Kearney one, if not the supplement. I recall, also, that when ‘bad’ books were discovered, they were kept and protected. Librarians have been on the right side in this battle. When books are locked away it is usually to protect the books from the readers. When censors ban them it is to protect the readers from the books. There is also now within that library, a Resource Centre (the 'Pride Library'), that contains a considerable collection that would have been off limits not that long ago.

Sources:
    Western Library also has a book which contains this essay: “The Private Case: A History,” by Paul J. Cross in The Library of the British Museum: Retrospective Essays on the Department of Printed Books, ed. By P.R. Harris.
    If you want examples of filthy books in the Western Libraries, here are two. Don’t ask me how I know:  Les onze mille verges or the Amorous Adventures of Prince Mony Vibescu by Apollonaire and Verlaine’s,  Femmes/Hombres: Women/Men. According to a review of the Apollonaire work, “The rutting is non-stop.”   
     The website at the British Library provides a good description of The Private Case
    You can purchase an electronic version of The Private Case and several thousand other erotic items to view in the comfort of your own home. Gale International has digitized them and they are available in the collection: The Archives of Sexuality & Gender. You can read about it at this Gale Blog. The Western Libraries has purchased Pt.1,  LGBTQ History and Culture Since 1940. That Pt.3, Sex and Sexuality, Sixteenth to Twentieth Centuries, has not been acquired is probably because of the large price attached to such  a collection. Content from The Private Case would be found in this part.
     For erotica closer to home, the New York Public Library has a huge collection. For details see: "Lifting the Veil on the New York Public Library's Erotica Collection," Elain Sciolino, NYT, Jan. 1, 2016. As one might expect, France's National Library has a large amount which is referred to as L'Enfer. Ms Sciolino has written about that as well: "A Library Exhibition Not For the Children's Room," NYT, Jan. 16, 2008.
     Lest you think that your hard earned tax dollars or donations are being used to purchase porn, that is not the case. National libraries typically try to collect the documents produced and are expected to receive them, while other collections often receive such material as bequests.

   
Post Script:
       The usual bonus stuff. 
     If you are too lazy to read a whole book and want to go directly to the "Dirty Bits," buy the book with that title which finds them for you.  It was co-authored by Lesley Cunliffe, apparently a stunning flower-child, who married Marcus Cunliffe, the English-born author of The Literature of the United States, who was 23 years her senior and then Professor of American Studies at Sussex University. Erotica is now tolerated, but such a relationship would not be. For the very interesting obituary see: "Leslie Cunliffe" by Mary Killen in the Independent, April 2, 1997.

     Guillaume Apollinaire’s real name is: Wilhelm Albert Włodzimierz Apolinary Kostrowicki. Had I known that at the time I would have included it in my post about Very Long Names

Saturday, 19 May 2018

Periodical Ramblings (6)

Flair



It was not my intention in this series about serials to include within it, Flair, a magazine that only existed for 12 issues during 1950/51. I learned about it when I learned about Fleur Cowles, about whom I posted some information a while back. She produced the magazine for those we now refer to as ‘One Percenters’, and she was one herself. It was a costly production and after losing around $200,000 per issue, the publication ceased. A very short-lived fashion magazine seems hardly worth considering, but I will make a short case for doing so here.

   If you picture a very good book for children - the kind which has holes in the pages for peek-a-boo, and things which you pull and tug - and then populate it with people like the Duke and Duchess of York, Julien Freud and Hemingway rather than Piggly-Wiggly, you can begin to imagine what a copy of Flair looked like. Apart from the special paper, inserts and beautiful illustrations, there were often postcards and self-contained booklets. One issue even had scented pages.

   Flair was such an unusual and sumptuous periodical, you can even purchase it today - as a massive coffee-table book. When I was looking for information about the magazine, I discovered that the university nearby had a copy, although they would not have had a subscription to such a magazine back in 1950. The Best of Flair that I examined was published by Rizzoli in 2014 and an earlier edition was produced by HarperCollins in 1996. You can easily purchase a copy. Before you order, look at the Rizzoli video provided below.

   Another reason I decided to devote some time to Flair has to do with the fact that the copy I examined is dedicated to an unknown American soldier. Here is the explanation offered by Ms Cowles in the introduction:

“Many years ago, I received an anonymous letter which reads as follows”:
Dear Fleur Cowles,
    I have just been drafted to be sent to Vietnam. I don’t believe in war. I don’t believe in this one.  I shall probably be killed and if not, I shall probably just stand up and let it happen.
   I have nothing in this world worth leaving to anyone but my twelve issues of your magazine, FLAIR. They are on their way to you.

“The following pages have all been reproduced from the gift of this unknown American soldier -- to whom I now dedicate this book.”

Sources:
  To see what I have attempted to describe, view this short video: The Best of Flair: The Magazine That Became an Art Form".
  For more covers such as the one above: “5 Covers of Flair: The Most Beautiful Magazine You’ve Never Heard Of,” Alex Beggs, Vanity Fair, Sept. 2014.
  “Fleur’s Flair,” Dan Piepenbring,  Paris Review, Jan. 20, 2015.

  
 Fleur Cowles died in 2009. “Fleur Cowles, 101, Is Dead: Friend of the Elite and the Editor of a Magazine For Them,” Enid Nemy, The New York Times, June 8, 2009.
She was quite interesting; have a quick look at her Wikipedia entry.

Here are some examples of the content found in The Best of Flair:
There is a section called “It’s About Time” which was a regular feature that allowed writers to complain. There are contributions from Margaret Mead, Simone De Beauvoir and Barbara Ward.
Michener has a travel piece on Hawaii and in the literature section you will find: Mary Hemingway, “Life with Papa”; Tallulah Bankhead, “On Satchmo” and
Tennessee Williams , “The Resemblance Between a Violin Case and a Coffin.”
There is a piece by Gypsy Rose Lee talking about her carnival experiences and Jean Cocteau writes, “ A Letter to Americans.”
The last section - “Smile and Farewell” contains cartoons about the hole in the cover that was a characteristic of Flair and which was referred to as the ‘cover cut-out.’