Tuesday, 19 December 2017

Canadian Cartoonists

     Once again, you should know that I have been preoccupied and am attempting to quickly increase my posts for December and avoid shopping. So, given quick consideration are a few Canadian cartoonists and illustrators who would otherwise deserve more of our attention.

Barry Blitt


   
     If you have your own shopping to do, you might consider buying the book Blitt by Barry Blitt. In it you will find “caricatures of the public figures, mainly entertainers and politicians, who've occupied the limelight from the late 1980s on. It's got Michael Jackson holding an infant over an apartment-building railing, Vladimir Putin depicted as a figure-skater prancing around the ice, Pope Francis doing snow angels and, of course, Donald Trump, mid-air, coming down for a big, fat belly flop in the American pool.”
     Perhaps you have wondered, “How did a Jewish kid [Blitt] from the insular Montreal suburb of Côte Saint-Luc end up in the thick of New York's cosmopolitan media scene, published by everyone, the unlikely owner of playwright Arthur Miller's old house?”, and if so, you will find the answer in this review: “Catcher of the Wry: A New Collection of Satirical Sketches Highlights Cartoonist Barry Blitt's Singular Take on the Past Few Decades,” by Alec Scott, G&M, Nov. 10, 2017.

Bruce McCall



(Sorry about the quality of the image.
The billboard says "Bay of Pigs Now Called Porky's Cove)

     Much of Blitt’s work appears in The New Yorker where the covers are also often done by another Canadian, Bruce McCall. His (McCall’s) first appeared in 1995 and he has now done over 70 of them. He also provides the odd cartoon and articles such as “Not So Fast, Canada”, a funny one found in the July 31st, 2017  issue. He has published a number of books, including Thin Ice which describes growing up in Simcoe and elsewhere here in Ontario.

Doug Sneyd


   
     I only know of Mr. Sneyd because of the stories I have heard about him. He was a friend of my father-in-law who just passed away on Dec. 2nd. [this was the major preoccupation]. During the late summer and early fall, he tried to get to Orillia to see Doug, but was unable to do so.

    Mr. Sneyd has been a cartoonist for Playboy since the 1960s. Given the new prudishness and puritanism, I chose to supply his image rather than one of his cartoons. You can find them in the book,The Art of Doug Sneyd or you can see and buy them from his web site: Sneyd: The Art of Playboy Cartoonist Doug Sneyd.

Post Script
     The stories we heard about Mr. Sneyd generally had to do with fine parties and good times and were more about his conviviality than his career. After a little poking around, however, I have learned that his career was perhaps, shall we say, more illustrious than I indicated. The book mentioned above, for example, was nominated for an Eisner Award back in 2012 in the category “Best Humor Publication.” If you are dismissive of the Playboy cartoons as bordering on the ‘pornographic’, you should know that he created many political ones for newspapers such as The Washington Post and The Boston Globe. In the latter I found this article about him from forty years ago: “Mixing the Comic Strip and Editorial Cartoon,” (July 23, 1978)

    “As a high school student in Ontario, Canada, Doug Sneyd got no further than lesson 18 in the Famous Artists correspondence course. That one was titled “Earn While You Learn.” He decided to do just that.
     Steyd, now 46, has been earning his living as an illustrator and cartoonist ever since. After 12 years as a regular cartoonist for Playboy magazine and eight years doing an internationally-syndicated political panel, Sneyd has created SCOOPS, which begins today and will appear each Sunday on the Op Ed page of The Globe.
     SCOOPS now appears in 112 newspapers.” [c.1978]

     The article concludes with Sneyd noting that with the help of his family he runs a “real cottage industry” from his lakeside home in Ontario.
     Cartoons were an important feature at Playboy. Recently, when Mr Hefner died, it was noted in one piece that he “was as devoted to cartoonists as he was to the centerfold,” and that is why Sneyd had  such well-known cartoonist colleagues as, Al Jaffee, Jules Feiffer, Shel Silverstein and Arnold Roth. See: “Hugh Hefner Dreamed of Being a Cartoonist; Instead, He Changed the Market for Top Comic Artists,” Michael Cavna, The Washington Post, Sept. 28, 2017.
     A few years ago Sneyd was honoured at the ToonSeum, which is a museum in Pittsburgh that celebrates the comic and cartoon arts. See: “Bunny Tales: Legendary Playboy Cartoonist Doug Sneyd Will Give Fans a Glimpse Into His Life and Art,” Dan Majors, Pittsburgh Post-Gazette, April 19, 2012:

     "Joe Wos, executive director of the ToonSeum on Liberty Avenue, Downtown, has as his guest tonight legendary cartoonist Doug Sneyd, whose art has adorned the pages of Playboy magazine for nearly 50 years.
"Like most men, I bought Playboy for the cartoons," said Mr. Wos, who opened the cartoon museum almost three years ago. "And I always loved his work.
"He is able to meld two worlds. The beauty of the human form, these beautiful, voluptuous women. And, at the same time, he caricatures human nature, poking gentle fun at our sexual hang-ups and foibles. He has tremendous insight."
Mr. Sneyd, 80, of Ontario, Canada, arrived in town this morning for the Pittsburgh Comic Con this weekend. While some artists are shy, even reclusive, Mr. Sneyd said he delights in traveling and meeting fans.
Mr. Wos, a cartoonist himself, said Mr. Sneyd is one of his heroes.
"There's no question that he is one of the greatest Playboy artists ever," he said. "His wit is still biting and satirical today. For example, he has some rough sketches for tonight's exhibit that Playboy declined to use. One shows a woman in bed between two men who are wearing dark glasses and earpieces and the caption is 'How long have you guys been in the Secret Service?' Well, this was done long before today's controversy. His work remains timely."



Graydon Carter

 
     The vulgarian is the guy on the right who is frequently attacked by the Canadian Carter who is the gent on the left. Although he is not a cartoonist, he is another Canadian who went south and found success. He is retiring this month after 25 years as the editor of Vanity Fair. This year he became a Member of the Order of Canada “For his contributions to popular culture and current affairs as a skilled editor and publisher.”

Post Script:
    I did not know that Carter was the editor of the short-lived periodical Canadian Review which was published between 1974-1977. I see that the university nearby has most of the run (although the issues are in storage). Perhaps I will have them pulled in the new year and include them among my “Periodical Ramblings”.

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